On the notion of the political in postmarxist theory.


Miguel Abensour
Is there a proper way to use the voluntary servitude hypothesis?

The Transformation of Structural Causality in Late Modernity 

Propositions on Subject and History

Filippo del Lucchese
The symptomatic relationship between law and conflict in Spinoza 

Jura communia as anima imperii

Warren Montag
Althusser and the Question of Origin
Hegel sive Spinoza

Jacques Rancičre
On the political and theoretical effects of Althusserian Marxism
Althusser's Lesson

Michael Löwy
Romanticism and Zivilisationskritik
Walter Benjamin

V. Desclaux, K. Diefenbach M. Dolar, D. Hoens, A. Kukuljevic,
Deleuze, Guattari, Lacan II
The impossible encounter

Michaela Ott
Reading Spinoza with Nietzsche
Deleuze's affective “thinking with”

Emiliano Battista, Vanessa Brito, Jack H. Fischer
Book presentation
Becoming major, becoming minor

Sara Farris, Peter Thomas
Counter-politicisation of the non-political
The theory of politics in the young Marx

Lars T. Lih
The Unifying Theme of his Political Career
Lenin's Scenario of Class Leadership

Rodrigo Nunes
The politics of Badiou and Deleuze/ Guattari
Subject, event, separation

Rodrigo Nunes
Politics, poetics + popular culture in Brazilian cinema 1962-1979
'Stronger are the powers of the people' I

Thomas Seibert
Reading Badiou with and against his postmarxist contemporaries
Politics unbound

Kathrin Thiele
Nietzsche with Deleuze II
The thought of becoming

International conference
Becoming-major, becoming-minor

Marina Gržinić
Global capitalism, necropolitics and contemporary art

Roberto Esposito
The dispositif of the person

International Conference
Encountering Althusser

Conference material: schedule, abstracts, articles
Encountering Althusser

Antke Engel
Queer/ing Images of Sexuality and Economy
The Surplus of Paradoxes

Matteo Mandarini
Negri's encounter with Guattari: the elision of Lenin
Communists like us

Ruth Sonderegger
A cinematic diagnosis of biopolitics
The cinema of Jean-Pierre and Luc Dardenne

Christian Kerslake
The specter of an unsolved problematic
The Meanings of Immanence in Deleuze's Philosophy

Luca Basso, Vittorio Morfino
A French Marx
The singular, the trans-individual and the common

Pier Vittorio Aureli, Andrea Cavaletti, Katja Diefenbach, Mark Purcell, Miguel Robles-Duran, Lukasz Stanek, Roemer van Toorn, Peter Trummer, Sven-Olov Wallenstein
State-space symposium no. 1
Biopolitics of scale

Paul Hegarty, Vanessa Theodoropoulos, Jean Louis Violeau
Against the economic: Reading Baudrillard with Bataille, Lacan, Marx, and Debord
A Workshop on Baudrillard

Lecture of Tom Rockmore at the International Institute for Research and Education, Amsterdam
Is Marx a Fichtean?

Martin Saar
Negri on Power
Political Spinozism

Steve Wright
The Refusal of Labor
Tronti's Legacy

Massimo De Angelis, Pier Vittorio Aureli, Anne Querrien
The production of commons, subjectivity and space
Communists like us

A. Auerbach, K. Diefenbach, S. Dillemuth, M. Vishmidt
The politics of bohemia

Maria Muhle
From Foucault to Rancičre
Politics, police and power

Manfred Hermes
Narrative strategies of subjectivisation in Fassbinder’s "Berlin Alexanderplatz"
In the figurative sense

Serhat Karakayali
On political hegemony and militant becoming: Gramsci and Deleuze
The poetics of knowledge

Ruben Martinez, Jaron Rowan, Marina Vishmidt, Katja Diefenbach
The cultural producer as model of the post-fordist worker
In the mood for work

Grahame Lock
The actuality of Althusser's thinking
Dictatorship of the proletariat as political science

Judith Hopf
The imposition of creative work
Hey production!

Raul Zelik
Notes on asymmetric warfare and governance
Sovereign police

Rodrigo Nunes

Politics, poetics + popular culture in Brazilian cinema 1962-1979
'Stronger are the powers of the people' I

Stronger are the powers of the people is the result of an ongoing research into the political, poetic and educational strategies of political cinema from the 1960s and 1970s, focusing particularly on Brazilian Cinema Novo (New Cinema).

While looking at a cinematography that has become somewhat canonical in Latin American film, it does so from two underexplored angles. Firstly, by placing it into a larger historical narrative that, rather than the usual emphasis on its relation to the military dictatorship in power from 1964 to 1984, looks at its beginnings in the cultural debates and political agitation of the 1959-1962 period, which produced a wealth of experiences in the intersection of art, politics and popular education -- in particular the Popular Centres of Culture (CPC) movement where most of the featured filmmakers cut their teeth.

Secondly, by looking at how the aesthetic and political decisions informing what appears on the screen was (or was not) articulated with the overall economy of production and distribution of these films, as well as with concrete strategies for drawing political effects out of them.

Rodrigo Nunes is a philosopher, activist, translator and curator with a PhD from Goldsmiths College, University of London, where he wrote a thesis on immanence and philosophy in Deleuze and Foucault. His texts have appeared in such publications as Radical Philosophy, ephemera, Mute, Transversal and Deleuze Studies (forthcoming). He has participated, as an organiser and popular educator, in various political initiatives in Latin America and in Europe, including the first three editions of the World Social Forum (Porto Alegre, Brazil) and the Cleaners for Justice campaign (London, UK). At present, he is an associate researcher at PUCRS, Porto Alegre, Brazil and an editor of Turbulence (www.turbulence.org.uk).